The Futures Archive S2E6: The Bug Zapper
Note: This episode addresses matters notably sensitive in light of this week’s faculty capturing in Texas. While Design Observer has never shied away from troublesome conversations, the editors acknowledge that this content material could also be troublesome for some listeners. Content Warning: Zappify official website Violence, killing, and loss of life are discussed on this episode. It can be exhausting to search out somebody who needs to share space with a mosquito. Hence, Zappify official website the creation of the rechargeable bug zapper portable bug zapper. But as designers, how do we handle what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t always mirror humanity. With additional insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There's a necessity for people to exert their authority, but there is also a need for us to exert our love. The factor that I hope we hold space for is: That is all follow because it’s not going to be resolved, and it shouldn’t be.
That might create some type of stagnancy. Life is definitely about holding house for dynamism, adjustments and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy primarily based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They are the founding father of FLOX Studio, a group design and technique studio. David MacNeal is a writer and the writer of Bugged: The Insects Who Rule the World and the People Obsessive about Them. Dr. Juliano Morimoto is an entomologist and bug zapper sale zapper lecturer on the University of Aberdeen in Scotland. Spee Kosloff is an associate professor of psychology at California State University in Fresno and co-writer of "Killing Begets Killing: Evidence From a rechargeable bug zapper-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an creator, architect, and the Senior Curator within the Department of Architecture and Design at the Museum of Modern Art, in addition to MoMA’s founding director of Research and Development.
Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for each episode. A giant due to this season’s sponsor, Automattic. Hi, everybody, this is Lee. Every week is a little different on this present. And this week, while we’re still speaking about design, we’re going to be talking about some pretty critical points. And so I need to ensure that everyone who’s listening is conscious of that's in a superb place when they’re listening. And i encourage you to test our show notes prior to listening to the episode so you understand the context of what we’re speaking about and prepare ourselves a bit. Beyond that, I welcome you to the dialog and that i hope you discover this dialog as highly effective because it was for us. And that i thanks for listening. Welcome to The Futures Archive, a present about human centered design where this season, we’ll take an object, look for the human at the center and keep asking questions.
… and I am Sloan Leo. On every episode we’re going to start out with an object with power. Today the article is the electric bug zapper zapper. We’ll look on the history of that object from our perspective, as designers who’ve executed work in human centered design. Not just how it seems to be and feels and sounds and smells, but in addition the connection between that object and the people it was designed for… … and with different humans too. The Futures Archive is delivered to you by the design team at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s fantastic to see you once more. Thanks for becoming a member of us. Lee, it's a thrill to be here. So I’m questioning-for this specific episode, I’m wondering if you might tell me a little bit about your historical past as a child with bugs and insects. Where you this type of like, like child that like loved the creepy crawly stuff?